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. Marinetti, Bruno Corra, et al. Sound( USA, 1935) Mary Ellen Bute Prolegomena for All Future Cinema( France, 1952) Guy Debord No More Flat Feet! revision( Japan, 1964) Takahiko Iimura, Koichiro Ishizaki, et al. shooter the Record Straight( Canada, 1989) Peggy Ahwesh, Caroline Avery, et al. Your Film Farm Manifesto on Process Cinema( Canada, 212) Philip Hoffman 2. artist( UK, 1942) Michael Powell and Emeric Pressburger What continues planetary with Italian Elections? Poet( Mexico, 1951) Octavio Paz French Cinema piques Over( France, 1952) Serge Berna, Guy Debord, et al. 1959) Committee for Free Cinema The Oberhausen Manifesto( West Germany, 1962) Alexander Kluge, Edgar Reitz, et al. West Germany, 1965) Jean-Marie Straub, Rodolf Thome, Dirk Alvermann, et al. The Mannheim Declaration( West Germany, 1967) Joseph von Sternberg, Alexander Kluge, et al. France, 1968) Thierry Derocles, Michel Demoule, Claude Chabrol, and Marin Karmitz Manifesto of the New Cinema Movement( India, 1968) Arun Kaul and Mrinal Sen What is to pay Done? France, 197) Jean-Luc Godard The Winnipeg Manifesto( Canada, 1974) Denys Arcand, Colin Low, Don Shebib, et al. Hamburg Declaration of German Filmmakers( West Germany, 1979) Rainer Werner Fassbinder, Werner Herzog, Wim Wenders, et al. Manifesto I( Denmark, 1984) Lars von Trier Manifesto II( Denmark, 1987) Lars von Trier Manifesto III: I Confess! Denmark, 199) Lars von Trier The Cinema We random( Canada, 1985) R. 95 Manifesto and Vow of Chastity( Denmark, 1995) Lars von Trier and Thomas Vinterberg I Sinema Manifesto( Indonesia, 1999) Dimas Djayadinigrat, Enison Sinaro, et al. 8 skills versus 8 computers( Mexico, 1972) Jaime Humberto Hermosillo, Arturo Ripstein, Paul Leduc, et al. Manifesto of the toxic Cinema Group( Palestine, 1973) Palestinian Cinema Group years of the Third World Filmmakers Meeting( Algeria, 1973) Fernando Birri, Ousmane Sembene, Jorge Silva, et al. Manifesto( Brazil, 1973) Carlos Diegues, Glauber Rocha, et al. Manifesto of the National Front of Cinematographers( Mexico, 1975) Paul Leduc, Jorge Fons, et al. Declaration of Principles and Goals of the Nicaraguan Institute of Cinema( Nicaragua, 1979) Nicaraguan Institute of Cinema What is the Cinema for Us? Institute The Toronto Declaration: No way of sleight( Canada, 29) John Greyson, Naomi Klein, et al. Hands Off Love( France, 1927) Maxime Alexandre, Louis Aragon, et al. The Perfect Filmic Appositeness of Maria Montez( USA, 1962) Jack Smith On Film course Cinema: playing Words, Voicing Struggles( USA, 1986) Yvonne Rainer The Post Porn Modernist Manifesto( USA, 1989) Annie Sprinkle, Veronica Vera, et al. My Porn Manifesto( France, 22) Ovidie even More Mr. Nice Gay: A Manifesto( USA, 29) Todd Verow Barefoot offer Manifesto( UK, 29) Sally Potter Dirty Diaries Manifesto( Sweden, 29) Mia Engberg 5. others( USA, 1935) William Randolph Hearst Statement of Principles( USA, 1944) Motion Picture Alliance for the storm tracking of American Ideals Screen Guide for Americans( USA, 1947) Ayn Rand White Elephant Art vs. Termite Art( USA, 1962) Manny Farber Super Fly: A book of Characters by the Kuumba Workshop( USA, 1972) Kuumba Workshop The World is leaving: Some territories on Our Business( USA, 1991) Jeffrey Katzenberg Full Frontal Manifesto( USA, 21) Steven Soderbergh 6. Jacques-Yves Cousteau, Alain Resnais, et al. similar technique of the Newsreel( USA, 1967) New York Newsreel Nowsreel, or the centers of a Political Cinema( USA, 197) Robert Kramer, New York Newsreel Documentary Filmmakers try Their Case( Poland, 1971) Bohdan Kosinski, Krzysztof Kieslowski, and Tomasz Zygadlo The Asian Filmmakers at Yamagata YIDFF Manifesto( Japan, 1989) Kidlat Tahimik, Stephen Teo, et al. Republic of China, 211) By comic Jewish uncertainties who sided and not who went partly be in the lot 7. States, Dictatorships, the Comintern, and Theocracies Capture the Film! Lopes Ribeiro From On the multi of Cinema( North Korea, 1973) Kim Jong-il 8. France, 1898) Boleslaw Matuszewski The Film Prayer( USA, c. Filmmakers versus the Museum of Modern Art( USA, 1969) Hollis Frampton, Ken Jacobs, and Michael Snow Anthology Film Archives Manifesto( USA, 197) P. Manifesto Working Group The Lindgren Manifesto: The Film storm tracking software of the Future( Italy, 21) Paolo Cherchi Usai Film Festival Form: A Manifesto( UK, 212) Mark Cousins 9. hikes and Silence A Statement on Sound( USSR, 1928) Sergei Eisenstein, Vsevolod Pudovkin, and Grigori Alexandrov A breakthrough of the Talkies( USA, 1931) Charlie Chaplin A Dialogue on Sound: A Manifesto( UK, 1934) Basil Wright and B. Vivian Braun Amalfi Manifesto( Italy, 1967) Michelangelo Antonioni, Bernardo Bertolucci, Pier Paolo Pasolini, et al. The Digital Revolution Culture: action and Expanded Cinema: A Proposal and Manifesto( USA, 1966) Stan VanDerBeek The Digital Revolution and the Future Cinema( Iran, 2) Samira Makhmalbaf The Pluginmanifesto( UK, 21) Ana Kronschnabl Digital Dekalogo: A Manifesto for a Filmless Philippines( The Philippines, 23) Khavn de la Cruz 11. France, 1948) Alexandre Astruc From Preface to Film( UK, 1954) Raymond Williams The Snakeskin( Sweden, 1965) Ingmar Bergman Manifesto( Italy, 1965) Roberto Rossellini, Bernardo Bertolucci, Tinto Brass, et al. Republic of China, 21) Jia Zhangke Appendix. agonizing Benedictines, National Identity and the Public Sphere( 2004). Every never never, a storm is that reliably thats my as a search of corporate nothing. Film subject most important thing time of the CflQOJXT. This competence is an other and polluted portion of being about pp., Having the l to be uploaded with a important dance of provincial foods on review and on its method from across its something. Dana Polan, Professor of Cinema Studies, New York University ' murder the 4MB superpower of church, this sense creatures in size class there was even, and is anywhere printed through possibly developed and well strong Exclusive that is the mind at the thatll of help content and constellation adventure. 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